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Peppers defining the 'Summer Of Love'.\u003c\/p\u003e\n\u003cp\u003eThe first album by the band with vocalist Grace Slick and drummer Spencer Dryden, features the singles 'Somebody to Love' and 'White Rabbit'.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Scorpio","offers":[{"title":"Default Title","offer_id":51578184302894,"sku":null,"price":65.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/3570\/7950\/files\/R-10097404-1532283978-8798.jpg?v=1767032043"},{"product_id":"new-york-dolls-in-too-much-too-soon-new-lp-sealed","title":"New York Dolls - In Too Much Too Soon - new LP sealed","description":"\u003cp\u003e\u003cstrong\u003eLabel\u003c\/strong\u003e: Mercury (SRM-1-1001)\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: Vinyl, LP, Album, Reissue, Repress, Stereo\u003cbr\u003e\u003cstrong\u003eCountry\u003c\/strong\u003e: US\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMuch Too Soon is the second studio album by the New York Dolls.\u003c\/p\u003e\n\u003cp\u003eThe group was dissatisfied with the recording of their 1973 self-titled debut album, and felt producer Todd Rundgren didn't understand them - in fact he hated them! Frontman David Johansen enlisted veteran producer Shadow Morton for Too Much Too Soon, famous for his work with girl groups such as the Shangri-Las.\u003c\/p\u003e\n\u003cp\u003eMorton had become disenchanted by the music industry, but felt motivated by the band's energy and agreed to work with them as a challenge. They recorded the album in 1974 at A\u0026amp;R Studios in New York City.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Scorpio","offers":[{"title":"Default Title","offer_id":51578418889006,"sku":null,"price":49.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/3570\/7950\/files\/R-4601338-1386629270-8066.jpg?v=1767040019"},{"product_id":"x-at-home-with-you-new-lp-reissue-pre-sell","title":"X - At Home With You - new LP reissue","description":"\u003cp\u003e\u003cstrong\u003eLabel\u003c\/strong\u003e: Sorcerer Records (SORC1017LP)\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: Vinyl, LP, Album, Reissue\u003cspan\u003e of 600 copies - 450 copies in black vinyl\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCountry\u003c\/strong\u003e: Australia\u003cbr\u003e\u003cstrong\u003eReleased\u003c\/strong\u003e: Jul 16, 2025\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*stock due February*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReleased in 1985, 5 years after the band's epochal 1980 debut LP, X-Aspirations, At Home With You saw Australia's X reconfigured with Cathy Green on drums, providing a hard-hitting pounding beat for bassist Ian Rilen and guitarist Steve Lucas to work their songs around. Produced by Lobby Lloyd, At Home With You is an absolutely classic slice of Aussie punk rock, featuring raw, guttural tracks like \"Degenerate Boy\", \"Oxford Street Nick\" and \"All Over Now\", but mixing it up with brass-laden tracks such as \"The Feel\" and \"T.V. 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They relocated to Melbourne, soon split up and then Ash went onto form The Models with Sean Kelly and others. Along with The Boys Next Door (with whom they released a split 7\"), The Models were the darlings of the inner-city post-punk scene, and would later become a chart-topping pop band.\u003c\/p\u003e\n\u003cp\u003eBut this was only the beginning of Ash's musical journey. This compilation puts together the best tracks from Ash's solo and collaborative releases from the extremely fertile sonic period of the early '80s. It has some rare solo tracks, his collaboration with minimal-synth songstress, Karen Marks (a demo version of her classic single, \"Cold Cafe\"), as well as multiple tracks from his coldwave synth-pop acts, Modern Jazz and The Metronomes.\u003cbr\u003eSomewhere in the sonic nexus of very early Human League, Suicide and Cabaret Voltaire lies this musical universe Ash Wednesday inhabited, though his take on this new synthetic music was uniquely Australian. 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Francis left Copperfield Sound Studios in 1974 and would resurface two years later as the midnight-to-dawn DJ on Sydney's youth-orientated 2JJFM (a position he held for over a decade) until fading from public view and pursuing his lifelong passion for painting. After a long illness, John J. 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Download available in 16-bit\/44.1kHz.\u003c\/p\u003e","brand":"Sorcerer","offers":[{"title":"Default Title","offer_id":51649171456302,"sku":null,"price":52.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/3570\/7950\/files\/a2306426871_10_77bdd53e-f705-4f17-bf98-d1bb0f8bd18e.jpg?v=1768735669"},{"product_id":"ron-rude-the-borders-of-disgrace-new-lp-download-included","title":"Ron Rude - The Borders Of Disgrace - NEW LP - download included","description":"\u003cp\u003e\u003cstrong\u003eLabel\u003c\/strong\u003e: Sorcerer Records (SORC1013LP)\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: Vinyl, LP, Reissue\u003cbr\u003e\u003cstrong\u003eCountry\u003c\/strong\u003e: Australia\u003cbr\u003e\u003cstrong\u003eReleased\u003c\/strong\u003e: Apr 14, 2023\u003c\/p\u003e\n\u003cp\u003eSorcerer is pleased as punch to finally reissue - for the first time ever! - this classic slice of outsider Australian post-punk, originally issued by Ron himself on LP back in 1979.\u003cbr\u003eBorn and raised in Belgrave, an outer suburb of Melbourne which, 40+ years ago was basically a rural town outside of Melbourne, Ron and his band, The Unforgettables, were a rag-tag of hippie-punks who, under Ron's tutelage, recorded this album throughout 1978\/'79 in a vague sort of isolation from the world surrounding it. 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Known for his work with Mos Generator, Big Scenic Nowhere, and Pentagram, Reed not only joins the band as a full member but also takes the helm as producer, shaping the sound .\u003cbr\u003e\u003cbr\u003eThematically, the album delves deep into the human experience of death, with one side focused on grief and the other on mourning, weaving together dark psychedelia, heavy riffage, and introspective lyricism.\u003cbr\u003e\u003cbr\u003eThe album artwork was created by acclaimed French painter Michel Henricot, known for his emotionally intense and often surrealist works exploring human psychology, mortality, and the unconscious. 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This took longer than expected.\u003c\/p\u003e\n\u003cp\u003eIn 2022, Isaiah Mitchell was finishing up a two year tour as a guitarist for The Black Crowes. This tour ended in Melbourne, Australia. So the chance was there to record the second album (T2) after the Black Crowes tour. Seedy Jeezus booked a studio in Melbourne and the following day they met up and locked themselves in, jammed for hours..., recording random thoughts ideas and just playing where the music went, with no expectations, except to have a blast and enjoy themselves.\u003c\/p\u003e\n\u003cp\u003eFast forward to late 2023, while Lex was in New York, he cut together from all of the recordings, an outline of what the second album would sound like. With so much material at hand, Lex also pulled out 2 songs to be added on a 7” in the deluxe version. Then it was sent to Tony Reed to mix and master. At this time, Tony was also invited to contribute to the album, which he did. Playing various instruments and adding vocals etc.\u003c\/p\u003e\n\u003cp\u003eSide A Fugitives from the Void (pts1-3). Pt1 (Desolation) opens with Tony Reeds vocals creating the vibe of departure and leaving what you regret behind you. Pt2 (Into the Expanse) flows into a space journey propelled by the lead fuzz of Isaiah Mitchell, steering this ship into the unknown. Pt 3 (Between Worlds) brings forth the uneasiness and heart ache realising what’s left behind is no better than what you had.\u003c\/p\u003e\n\u003cp\u003eGround Control has been described as “early Kraftwerk, meets Neu while jamming with Joy Division ”. The song is about no matter how free we may feel, we are always still disconnected. 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It was an album which finally and belatedly really saw the band rise above the musical underground and gain a wider audience. Spearheaded by incredible singles such as \"D.C.\", \"Godbless\" and \"Sweetheart\", Ron Peno, Brett Myers, Chris Walsh and co. were accompanied by the likes of cellist Sarah Peet and The Go-Betweens' Amanda Brown on violin to create a lush, widescreen sonic aura that still sounds magnificent 35 years later. 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They were supported by John Weathers (Eyes of Blue) who also acted as producer and songwriter for their sole album, recorded in London. When eventually released in 1970, Women and Children First was credited to Ancient Grease instead of Strawberry Dust (one of those \"great\" ideas by major labels). The album was first issued in the US and later in the UK, both on the Mercury label but with different sleeves (being the UK one the most desirable and collectable).\u003c\/p\u003e\n\u003cp\u003eRIYL: Black Sabbath, Blue Cheer, Cactus, Captain Beefheart, Red Dirt...\u003c\/p\u003e\n\u003cp\u003eRemastered sound; original UK artwork; color insert with liner notes and photos.\u003c\/p\u003e\n\u003cp\u003e\"An interesting proto-grunge album that wouldn't have been out of place in early '90s Seattle\" --Giles Hamilton (Galactic Ramble).\u003c\/p\u003e\n\u003cp\u003e\"The first thing that hits you in the very first seconds of the opener 'Freedom Train' is a booming, stomping fuzz guitar riff. 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Songs fade in and out; finger-picking blurs into screaming squeiching synths; guitars melt in the mid-summer heat. ‘Grains of Sand’ frazzles like The Stooges through a fucked-up amp and filtered through a transistor radio with the valves burning out.\u003c\/p\u003e\n\u003cp\u003e‘Thanitos’ is the freak-out ending of ‘Julia’s Dream’ lost in suburban downtown US of A with the taillights cutting on the freeway... whilst ‘Summer Magic is Gone’ is the most haunted, haunting song I've heard in many a long strange moon. Shimmers like stars in the 2am fug and haze and bleeds lost and lonely and bruised into the heat-warped dawn. You're still awake though the brain don't work like it used to. Blurred and bleary and exhilarated and stoned the very core of the soul. 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